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The book I am currently working on is called Type Town, which, as the title suggests, looks at the typography of my surroundings. When I first started planning it I knew that the signage and street art in my neighbourhood was rich with possibility, but during the last few months of closer scrutiny it has proved to be even more interesting and engaging that I originally anticipated. These beautiful numbers are from a boarded up butcher’s shop window in Rozelle.

Paper string

There’s a lot going on in my studio. I am working away at my book—my book to be published, that is, not my artists’ book (it gets confusing!)—and at the same time I’m preparing for three exhibitions. Today I’m focussing on the first of those exhibitions: a show called Re:Play, featuring new work from my book group, Sydney Book Art Group. This is a detail from a piece I have just finished. I used a discarded cover from a book called What Would Google Do? and made paper string from Encyclopedia Britannica pages. The string is woven and then sewn onto the cover. It’s fiddly and challenging making all that paper string, but I’ll be making more of it today for my next piece!

Condemned

I am currently working on a project that is taking me in a slightly different direction to usual. For many years I have worked as a book designer for publishing houses as well as, more recently, for individuals. I am now taking the leap into publishing my own book: a full-colour photographic volume exploring the rich typographic landscape of my neighbourhood. My photos focus on signage and street art I find either beautiful or unusual, rendered through my own personal aesthetic. This stencilled sign hangs on a tree which is, as it announces, condemned (by roadworks). I will be posting more photographs of my typographic neighbourhood in the coming months.