This reminds me of the work of Jasper Johns, whose use of commercial stencils transformed ordinary and commonplace shapes and symbols into works of art. Jasper Johns is probably most well known for his American flags, but in the 1950s he started using stencilled letters and numbers as the basis for his paintings, prints and drawings. He produced many variations of numbers: single numbers, grid patterns of repeating rows of numbers, superimposed numbers. He was interested in exploring the ways we see and why, and his work has certainly made a difference to my view of the world around me.
I saw my first Ellsworth Kelly painting, in a travelling exhibition at the Art Gallery of New South Wales, when I was 8 years old. All these years later I can still remember being awestruck by Rebound, Orange Blue 1 and Blue Red – large, bold, beautiful paintings of which I had never seen the like. Nine years later, at the ripe old age of 17, I went to New York for the first time, and to the chagrin of my non-art-loving companions I insisted on going to the Guggenheim to see, among other things, Blue Green Yellow Orange Red. Quite recently I have discovered that the National Gallery of Australia owns a number of Ellsworth Kelly lithographs: I am looking forward to the day they are exhibited!