The bold sweep of white on dark grey and the distressed yellow lettering remind me of some sort of Rauschenberg-Motherwell concoction, if such a thing could exist. It has Rauschenberg’s printmaking-plus-found-object quality, Motherwell’s dynamism and strength. Robert Rauschenberg was known to have inked the wheel of a car and run over paper to create a drawing. As for Robert Motherwell: his body of work, everything from his huge black and white paintings to his small works on paper, is astonishing in its expressiveness and emotional depth.