It’s not so much the quote, but the juxtaposition of textures and the harmony of colour and tone. I like how the tears in the paper of the poster look like intentionally designed black triangles, and how the light through the dirty pane of glass illuminates the shapes inside. The whole reminds me of one of those fabulous Rauschenberg ‘combines’, the ones where he silkscreens on to sheer fabric which is floated in front of the collage. The typeface looks like a version of Helvetica Heavy Condensed with a little judicious kerning and condensing to improve the fall of the lines.