Alphabet City Press

4 June 201527 May 2015

Pilcrow

The pilcrow is a symbol used to denote a new paragraph. In the Middle Ages, before the convention of starting a paragraph on a new line, it was used to mark a change in the train of thought. It is also known as a paragraph mark or paragraph sign, and in proofreading it indicates where a new paragraph should begin. It is a symbol that appears in many character sets, and in page layout programs such as InDesign, a pilcrow marks every carriage return and can be seen when the invisible type features are made visible.

1 June 201527 May 2015

Jade vine

I’m sure it’s from outer space. It’s too surreal to be real, yet here it is, this weird turquoise flowering vine. When I saw these amazing flower clusters, surprisingly camouflaged in the way that crazy vivid colours can sometimes be, it took a while for my brain to compute. This is a colour usually found in flowers made of silk or paper, not real ones hanging from a growing plant. I eventually identified it—it’s a strongylodon macrobotrys, commonly known as the jade vine.

29 May 201526 May 2015

Look up

I came across this appealing display typeface during an idle search for the latest releases. Although I design and work with type every day, I’ve never been particularly interested in crafting my own. However, I admire those who do, especially when their work stands out from the predictable mimicking of existing styles. Look Up was designed by Filiz Sahin, who wanted to create ‘a playful font with a home-made feel’ and was ‘inspired by little arrows on websites’.

26 May 201526 May 2015

Bebop

I wonder if this is some reference to the TMNT characters, or scrawled by some modern jazz and Jamaican ska aficionado. Either way, the perpetrator has made an impressive mark on this scarred rendered rock face. I came across it at the site of a local art prize. The prize was one of considerable repute, but this scratched graffiti—most definitely not part of the exhibition, although it could have been—was just about the thing I liked best.

23 May 201523 May 2015

Sahara Bodoni

Sahara Bodoni is a lushly elegant ultra heavy display face based on Bodoni. It was designed by Bob Alonso in 1996 and published by his company BA Graphics. Alonso was a highly regarded and skilled lettering artist. He gained much of his experience working with type designers Ed Benguiat, Tony Stan and Vic Caruso at the New York based Photo-Lettering Inc (known as PLINC), a company that pioneered photocomposition in the 1930s. PLINC closed in the 1980s, and in 2003, House Industries bought the entire physical assets of PLINC—material amount to 42 cubic metres.

20 May 201520 May 2015

Goop

I could use some amazing goop this week. I’m preparing for a small exhibition with my friend and artist colleague Sue Rawkins. I am busy printing prints, cutting mat board for frames, as well as glueing and pasting and folding and all manner of things that need doing to finish my work in time. I’m pretty certain there will be a trip to the hardware store in the next day or so. I need a staple gun, some cord, some D-rings. And if I’m lucky I might find some amazing goop.

17 May 201517 May 2015

Eggs

Embossing the word ‘eggs’ into the end of an egg carton strikes me as completely superfluous. Egg cartons are an unmistakable item of packaging and, just in case you need clarification on the contents, they invariably have detailed printed labels stuck on the top. But I’m rather pleased they added the unnecessary touch. ‘Eggs’ is such a typographically pleasing word when it’s displayed large using a serif typeface with a double-bowl g. The yellow is pretty striking too—just the colour egg yolks used to be, and so much sunnier than the usual off-white, beige or greige cartons.

14 May 201514 May 2015

No good story

Just about everything about this handwritten chalkboard appeals to me. I caught a glimpse of it while driving and immediately had to circle the block to park because the next day’s soup might have been different! It’s piquancy, it’s humour, and even it’s typo gave me cause to smile. It was a hot day, but I resisted the lure of the cool dark interior to sample the fare because, after all, the sun wasn’t yet over the yardarm.

11 May 201510 May 2015

Blur

On my way home today I saw a poster announcing the upcoming Blur tour. Seeing it reminded me that, back when they last toured, there was that whole Blur vs Oasis war going on. It was hard to like the foul-mouthed Gallaghers but there’s no question that ‘Wonderwall’ was a great pop tune, and so was Blur’s ‘Song 2’. We often put ourselves in one camp or another. Beatles or Rolling Stones. Ford or Holden. Helvetica or Arial. Oh, and speaking of typefaces … Blur was designed by Neville Brody in 1991, comes in three weights—light, medium and bold—and in 2011 was added to MoMA’s design collection. It bears no resemblance to the band Blur’s logo, which is more akin to Bauhaus.

8 May 20152 May 2015

Honolua

There’s a great view of Moloka’i and Lana’i from the highway above Honolua Bay, and there is also this—a quirky handpainted sign, hanging from a rusty pole with twisted rusty wire. I’d love to know its provenance. I also wonder who maintains it. I remember it from a couple of years ago, and when I looked back at an earlier photograph, I discovered that this year it is hanging differently, and, while the writing style is similar and could have been done by the same hand, it has most definitely been repainted. Unless, of course, there is more than one. Now I’m going to have to get myself back there …