The best bookbinding paste I have found comes from a small bookbinding shop in the NSW Southern Highlands. My recent visit to replenish supplies coincided with the annual tulip festival. While the tourist hordes were flocking to the gardens to admire the showy displays, the bookbinder remained unimpressed. ‘We’re Dutch,’ he said, ‘we’ve seen enough tulips!’
Steel and coal
My first reaction to this spiral detail was how clever it was, to include a company logo in the facade of the building in such an aesthetic way. I was convinced it was the BHP logo—before they merged with Billiton and modernised their corporate identity—but now, after quite some time online trying to find evidence that my memory served me correctly, I’m not so sure. I’ve checked every Newcastle and Wollongong steelworks-related name I can think of, but I can’t find the logo anywhere! It’s bugging me that I can’t identify it, yet I can picture it so clearly, in that spot at the back of my mind that is just beyond reach. I am hoping that synchronicity will work in its usual way, and that some time over the coming days or weeks I will see it somewhere else, and experience that ‘ah, of course’ moment that is so eluding me now.
Yes beer!
Less than a week after the spring equinox and we are getting a taste of summer: it’s 32 degrees today, 10 degrees hotter than Sydney’s September average. No doubt it will make the news tonight, in the way that weather inevitably does—the first freaky hot day, the crazy rain, the bush as dry as a tinderbox. There might be no smoking and no standing, but on a day like today it’s good to know that beer is allowed!
Be less curious
It’s not so much the quote, but the juxtaposition of textures and the harmony of colour and tone. I like how the tears in the paper of the poster look like intentionally designed black triangles, and how the light through the dirty pane of glass illuminates the shapes inside. The whole reminds me of one of those fabulous Rauschenberg ‘combines’, the ones where he silkscreens on to sheer fabric which is floated in front of the collage. The typeface looks like a version of Helvetica Heavy Condensed with a little judicious kerning and condensing to improve the fall of the lines.
Police station
This building, in Police Lane, Geelong, is no longer an operational police station, but the chiselled words remain. The area is more of an arts precinct now: look one way and there is the art gallery, look the other way and there is a large mural on the wall of the performing arts centre and a recording studio aptly named ‘Lock Up’. The lettering is surprisingly refined: I particularly like delicacy of the L and E.
Tim Tams
I’m reading again. There are phases in a busy life when there is little time for the luxury of reading fiction, but I have made time lately to fit in a chapter or two each evening. I don’t know what it says about my choice of writer, but I have now come across several novels (in a relatively short space of time) that include a reference to Tim Tams. There are common features: the writers are American, the characters in question have an Australian friend who brings them a packet of Tim Tams (written as fiction but I suspect drawn from truth), recipients of the Tim Tams are likeable (no Tim Tams for the bad guys), and there is some comment worked into the dialogue about how irresistible they are. And who could argue with that! I like my Tim Tams from the fridge, and how these two packets have lasted unopened for as long as they have is a miracle. I wouldn’t be surprised if the Tim Tam logo is one of the most recognised in Australia.
Baker
There are some reassuring certainties in life, one of them being that every small Australian town has a butcher, a baker and a candlestick maker. In modern times the candlestick maker might come in another guise, but there is always something to fit the bill. Admittedly, I haven’t been to every small Australian town, but I have most assuredly observed this rub-a-dub-dub trio theme. This baker exuded that irresistible smell of freshly baked bread, made an excellent cup of coffee, and displayed a decent bit of lettering to boot.
Gill Sans cheese
A food theme seems to have emerged over the last week or so, and here’s another one to add to the mix. This French cheese tasted amazing, and before we even cut into it, there was a collective oooh aaah of admiration from the half a dozen diners at the table. No one batted an eyelid at the idea that someone wanted to photograph it, but I think it was only me that saw an embossed Gill Sans M.
Do not eat
The first thing I noticed about this texta-on-cardboard writing was not its grammar, or even its message, but how neat the writing was. There tends to be two types of greengrocer writing in my neck of the woods: the stylised signwriting style; and the messy uneven scrawl of the handwritten notice, where the length of the words have not been considered when pen is first put to paper, so the first letters are large and confident and as it becomes clear that the paper is going to run out before the message is fully written, it becomes increasingly squished to fit. This one stands out for its all-round penmanship—in two languages, no less!—as well as its message.
Bottles
I admit it: I’m swayed by packaging. As much as I like to think I am capable of independent thought when it comes to food and drink purchases, I like to see my kitchen stocked with items that I prefer the look of. Fortunately, this often coincides with quality produce: for example, the Italian tinned tomatoes I like have the best label, and the smoked paprika comes in a tin you would buy for its own sake. When it comes to wine, the choice can get tough. While I am no expert, I have grape preferences that at least narrow the field, and when it came to this trio of Spanish blends the labels were too good to pass up.

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