Tag: letters

Helvetica Neue is the version of Helvetica that was modified and digitised for Linotype by D Stempel AG in 1983. The original Helvetica was added to over the years but not in any coordinated manner—hence, the reworking involved structurally unifying heights and widths. It also has heavier punctuation marks and increased spacing in the numbers compared to the original design. The Helvetica Neue family consists of 51 weights, which are named using a numerical system borrowed from Univers. The weights range from 25 Ultra Light to 107 Extra Black Condensed, with 55 Roman being the central point. Apple uses Helvetica Neue as the system font for OSX Yosemite.

Gill Kayo is often referred to as Gill Sans Ultra Bold, despite the fact that many letters are not consistent with the structure of any other of the Gill Sans weights. The name comes from ‘knockout’, implying its solidity, and its release by Eric Gill and Monotype in 1936 was met with much controversy. Gill Kayo is categorised as a sans serif typeface, but even Gill himself considered it a novelty.

Flight was designed for Letraset in 1995 by self-taught British type designer Timothy Donaldson. It is a calligraphic font that was originally rendered in pencil using a quick sketching technique, after which the stem junctions were thickened. Donaldson also designed John Handy, Orange, Green, Pink, Trackpad and Neo Neo—all of which exhibit his characteristic calligraphic style.

Eurostile was created by Italian type designer Aldo Novarese in 1962. It was a development of the caps-only Microgramma, which he had helped design ten years earlier. It is a geometric sans serif typeface that has proved to be popular for record covers, film titles, logos and science fiction and videogame artwork.

Diotima was designed by Gudrun Zapf von Hesse in 1948. It is named for Diotima of Mantinea, a philosopher and priestess in Plato’s Symposium. Zapf von Hesse is a German type designer, calligrapher and bookbinder. She ran a bookbinding studio in Frankfurt from 1946 to 1955. She also taught lettering, and was fascinated by letterforms. Diotima was released as metal type by the D Stempel AG foundry in the early 1950s and was later digitised by Linotype.

Caslon 3 is ATF’s 1905 cut of William Caslon’s 1725 typeface. Every cut of Caslon—and there are many, including digital-only versions such as Adobe Caslon and Big Caslon—is slightly different, but Caslon 3 is relatively true to the forms of the original. Caslon is an old-style serif typeface.

Bernhard Fashion was designed by Lucian Bernhard in 1929, originally for American Type Founders. Born in Germany and based in New York, Bernhard designed about a dozen typefaces, many of them with his name in the title. This highly stylised display typeface was designed to evoke the spirit of the roaring twenties.

Albertus was designed by Berthold Wolpe around 1932 for the Monotype Corporation. Wolpe was a German-born, London-based typographer, type designer, typographic historian and calligrapher. Albertus is recognisable as the typeface used on London street signs, and was also used by Wolpe on many of the book jackets he designed for Faber and Faber. It is a glyphic serif typeface, intended to resemble letters carved into bronze.

The Hawaiian alphabet consists of five vowels and seven consonants (or eight if you include the ‘okina, the letter used to indicate a glottal stop). I find it quite remarkable that such an expressive language can come from so few letters, but then again, the Hawaiian language is rich with words that have multiple meanings. This poster is displayed in the restored Hale Pa’i (House of Printing) on the grounds of Lahainaluna High School, on the hillside above Lahaina.